The Room Where It All Happens

For Jen Beloz and David Jelinek, blending each vintage of The Pact is an intimate undertaking-one that is part art, part science.

WHEN WE LAST SAW Jen Beloz and David Jelinek in the pages of this journal, they were in a trench in the middle of the Faust Estate vineyard, sifting through rocks and dust with a consultant named Pedro Parra. Their mission was to create a detailed soil map of the 112-acre site. It’s a testament to the interdisciplinary lives of winemakers that, in this issue, we find them at a table crowded with pharmaceutical-style “shiner” bottles, graduated cylinders, and pipettes. Jelinek is using this miniature chemistry set to assemble the components of what will become the 2022 edition of The Pact—a wine that is meant to be the purest possible expression of the vineyard they have spent so much time digging up.

A quest for purity drives a winemaker’s decision to bottle a “single vineyard,” or “vineyard-designated,” wine. The belief that a wine’s character derives almost exclusively from where the grapes are planted is held most fervently—and expressed most convincingly—in Burgundy, France, where vineyards were meticulously parceled, mapped, and ranked by Cistercian monks centuries ago. Their contention was that each vineyard plot, even within a relatively small corner of the world, expresses itself a little differently. The Pact is built around this premise: It’s what Cabernet Sauvignon tastes like when grown in a single vineyard in Coombsville, Napa Valley, California.

And it gets even more place-specific than that: The wine samples David is mixing in his Erlenmeyer flask come from a relatively small number of individual “lots” from the Faust Estate. Although it is a single, contiguous vineyard parcel, the Coombsville vineyard is subdivided into 28 distinct blocks based on the variegated soil structure and other physical traits that may affect grape ripening. As Beloz explains, these individual blocks aren’t even harvested all at once (“it is often literally row by row”), which in turn leads to a borderline unwieldy number of micro fermentations in various stages of completion throughout the fall. Says Jelinek: “We might have 40 different fermenters going at one time when we’re at peak harvest.”

All of which is to say: The Pact isn’t just a “single vineyard” wine; it’s a vineyard-within-a vineyard wine, one whose component pieces are likely to change from vintage to vintage. Years of experience in this special spot have led Beloz and Jelinek to some firm conclusions about what The Pact needs to say about that spot. Beloz, the Faust Estate Director, is kind of like the executive producer on the project, responsible for the overall vision, while Jelinek, as the Faust Winemaker, is more of the engineer at the mixing board, pulling the levers to create that signature sound. Each of the Faust Vineyard’s 28 blocks has its own voice; the goal each year is to put together a group that can harmonize.

Making the Cut
Although Beloz and Jelinek revisited their young, somewhat raw wines many times throughout the early spring of 2023, their next major sit-down was in June of that year, nine months post-harvest, after the wines had some time to settle in its oak barrels to begin aging. Although flavors and aromas imparted by the wood are fairly prominent at this stage, the wines have evolved to a point where the team can start isolating lots to consider for The Pact. These lots are identified by vineyard block number and grape variety (it’s mostly “CS”—Cabernet Sauvignon—for the latter, as it dominates the vineyard plantings).

At this stage, there were 19 lots of Cabernet Sauvignon to consider. Eleven of these were set aside for The Pact, with the understanding that there would be further “cuts” down the line. “It’s a stylistic assessment,” Beloz emphasizes. “It’s not like we’re throwing eight lots of wine away—anything not selected for The Pact is used to create the base of the Faust Napa Valley Cabernet. Typically, about half of the Faust Cabernet is from Coombsville fruit. This vineyard is at the heart of everything.”

The Final Countdown
There are plenty of analogies for what’s going on here— the travel-team coach making successive cuts until his squad is finalized, the chef arranging her mise en place, the sculptor chipping away at a hunk of rock—and the notes scribbled on the team’s wine stained spreadsheets are in a very peculiar and Faust-specific style of winespeak. Jelinek, for example, speaks often how wines have different “shapes” on the palate. Acidity in a wine takes on myriad qualities, from “juicy” to “tangy” to “sharp.” And there is, of course, a whole color spectrum to the fruit sensations in the wines, from red to purple to blue/black. “From vintage to vintage, there’s no set recipe for us to arrive at the style we’re trying to achieve,” Jen says. “There are a lot of different ways to get there.”

As the tasting journey continued into the winter of ’23-’24, Jen and David cut out five of the remaining 11 lots reserved for The Pact. They had their team, which was anchored by a blend of wines from the A1, G1, and G3 blocks that would form the “core” (about 74%, in the final analysis) of the 2022 Pact blend. Another substantial percentage (22%) came from the “very volcanic” F2 block. In the end, of all the wine produced from the Faust estate vineyard in 2022, about 20% ended up being selected for inclusion in The Pact.

The Sum of its Parts
The next and final tasting of the component pieces of The Pact was in Summer of 2024, right before the wine was to be bottled. Tasted side-by-side, the individual blocks are easily distinguished from one another: The F Block wine is the spiciest and most herbal, the A Block lots are “fleshier,” and then there’s a little dash of “plummy, black-fruited” Cabernet from D Block. These “single-lot” wines are perhaps the purest expressions of the Burgundian ideal—they are unadulterated representations of very specific places. Now the job is to create something broader and more complex from those component parts.

And while it’s one thing to talk about it, it’s quite another to experience it. These component lots are compelling as “standalone” wines, but when David mixes the different wines together, in the percentages he and Beloz landed on after a year and a half of tasting, the end result is—yes, we’re going to say it—greater than the sum of its parts.

As is borne out in the glass, the completed blend has, in Jelinek’s words, “more length on the finish than any of the individual components.” While the “core” wine from A1/G1/G3 was quite delicious on its own, it unquestionably firmed up and displayed more mineral tension when the F2 wine was added.

Then there’s the seasoning: Like most “varietal” wines, The Pact is not 100% Cabernet Sauvignon (although it is quite close). A dash of Petit Verdot (2%) lends a nice touch of plush, black fruit—yet even a few percentage points more, as Jelinek is keen to demonstrate with his chemistry set, is excessive (“It plumps it up too much,” he says).

“To me, it’s all about texture,” Jelinek concludes, when asked to articulate what it is he’s looking for in assembling the blend for The Pact. Beloz agrees, adding “powdery” as a descriptor of the kind of tannins she looks for. It’s a language all their own—a kind of Coombsville-specific dialect, if you will—but one you’ll pick up quickly upon tasting the 2022. Each new release brings us one step closer to fluency.

Back to Pact Journal | Volume V | Spring 2025